Search: Starring Jeremy Renner

28 Weeks Later... makes for scorching horror. Like the original, it offers a perfect blend of well-drawn characters, political allegory, grand guignol, flesh-crawling tension and very fast-moving zombies.

Bradley Cooper as Richie gives the finest madcap performance of his career.

Denis Villeneuve's latest film may be about aliens visiting Earth but it's the people who hold his interest.

It is a character piece, an actor’s picture, supremely atmospheric and secure in its knowledge of place and time.

Save your grey matter for coordinating the movement of your hand to your mouth, or your jaw to the sticky cinema floor.

Perhaps most surprising is how slight it feels.

It might not be designed to win any of this season's awards or linger in the memory, but this is a hell of a lot more fun than other recent fairy-tale reboots.

An unrelenting, absolutely riveting and often unflattering portrait of frontline action through the eyes of brave people doing their best to survive.

Director Baltasar Kormakur’s gripping thriller is inspired by classic noir - the cinematography is as bleak as the story and there is no neat happy ending.

There is the air of a dysfunctional family agreeing to get together for Auntie Sheila’s wedding.

Succeeds in grabbing your attention but doesn't really deliver what it seems to promise.

What finally raises the film above its somewhat programmatic, fight-the-power formula is its willingness to provide a believable context for the abuse.

S.W.A.T rhymes with R.O.T. Certain facts rise above the trivial. Not this one.

This is an uneven directorial debut - but not an unaccomplished one.

The Town sets aside stylish thriller tropes in favour of realism, which makes the action scenes a lot more visceral and the characters rougher round the edges.

The performances from the central three child actors are refreshingly good.

The film is well-served by its genre action sequences but it's the traces of grief that linger longest, like footsteps in the snow.